As they spend more time together, Taylor sees what living her truth and pursuing her dreams could bring her, but Charlotte can’t understand why someone as funny as Taylor wouldn’t go all out to make the most of her opportunities. So when Charlotte reaches out for help on a school project, Taylor readily agrees. Charlotte radiates so much confidence in her acting and queerness that Taylor can’t resist her. It’s at the Museum of Witchcraft where Taylor falls deeper in love with the girl who plays Abigail Williams―Charlotte Grey, an out and proud lesbian at Nathaniel Hawthorne High. To keep her secret under wraps, she sneaks out to do improv and hides her sketches under the bed, and to distract from her anxiety about the competition, Taylor frequents Salem’s Museum of Witchcraft to pine for Abigail Williams from the back row. With a mom who gave up a career in comedy to raise her, and a comedian dad who left for a younger woman, working in comedy is a sore subject in Taylor’s house. If she wants a shot at winning in a little more than a month, Taylor will have to come out about both of her secrets: She wants to be a comedian.
Taylor Parker has always been a funny girl―but when she is accepted as a finalist for a diverse writers’ internship at Saturday Night Live, it turns her life upside down. *** The Comedienne’s Guide to Pride by Hayli Thomson (July 19th) Humans are beautifully amazing beings.This post is sponsored by me and Home Field Advantage, available now in hardcover and ebook from Wednesday books and audio (narrated by Natalie Naudus and Lori Prince) by OrangeSky Audio!īuy it: Bookshop | Amazon | B&N | IndieBound | Book Depository But for the most part, many of the movements were very, very similar. A few folks did things that were unlike any others. They were also told that they could do whatever they wanted while in front of the camera. They had the choice of sitting on a high bar stool, on a lower chair, or standing. The room was not empty, so there were things to catch their attention. They were placed in a studio with a window to their right. Not only is this a photographic project, but it's also a small study of how humans behave. My gratitude is immense and my appreciation for them all is unwavering. Folks drove down from a minute away to driving a few hours from the Hudson River Valley. What you'll see in the selection of images are folks who love, love, love the camera and those who were merely there to support my educational process despite how uncomfortable they were sitting there. I cannot thank each and every person who participated enough. Babies, children, teens, young adults, middle age folks, and those who are as wise as their years graced the studio with their presence. People arrived at the studio alone or with their entire family. It's all good so I planned for those instances and set my expectations to meet that understanding. People get sick or forget about a previous obligation or something just comes up. I needed to overbook because the nature of humans is that things happen. Over 100 people arrived and were photographed. Over the course of a month I photographed on eight different days. Then I decided to "go big or go home" and expanded it to 100 people, 100 photos for a total of 10,000 images. This broke down to 5 minutes alone in a room with a camera. I'd space each shot at 3 seconds and use the intervalometer to automatically take the images. I decided to photograph a few people as they are, naturally, in front of the camera.
It was essentially the Capstone for all that I've learned while at community college. The 100 Project began as a school assignment for my Photography Portfolio class and then I decided to double dip and add it to my Fine Art Seminar class as well.
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